Submitted by Sara Norcross
“The Music Man’s” cast and production team have fulfilled Professor Harold Hill’s vision of a “perpetual motion machine.” Tom Beck, well loved director of many past Woodstock productions, has come from his current Washington D.C. home to help bring this popular Meredith Willson musical to life. Produced by Pentangle Council on the Arts, “The Music Man” will transport Woodstock Town Hall audiences back to River City, Iowa, circa July 1912, during 8:00 P.M. performances on September 12, 13, 19, 20 and a 2:00 P.M. matinee on Sunday Sept. 14th.
The machine was first set in motion by Woodstock’s Max Comins who has an extensive past in acting and has always dreamed of playing the lovable con artist, Harold Hill. After convincing Beck to return to Woodstock and securing Pentangle’s support, Comins used his Hill-like snake oil charms to recruit a cast of sixty and a dedicated crew.
Playing love starved Marian the librarian is Maricel Lucero, director of the Feminine Tone women’s chorus and award winning soprano. Other small town Hill supporters and detractors are played by Linda Burns as Marian’s mother, Tim Dillingham as the avenging anvil salesman, Wayne Thompson as the train conductor, Matt Spittle as the language-impaired mayor, Sara Norcross as the arts loving mayor’s wife with her “pick a little, talk a little” friends Heidi Gennaro, Susan Innui-Kelley, Alison Johannenson, and Tina Miller, Bill McCollum as Hill’s sidekick Marcellus Washburn, Hayley Atwood as piano student Amaryllis, Conor Joyce as Marian’s young brother Winthrop, Steve Hiller as Constable Locke, Allison Miller and Olivia Zerphy as the mayor’s daughters, and Zack Zerphy as the teen ruffian who unwittingly helps turn the town band from shaky dream to something close to reality. Paul Belaski, Peter Coursen, Bill Lundy, and Michael Pacht play the bickering school board members who become transformed into a contented barbershop quartet.
Acclaimed Quechee architect Charles Egbert designed an ingenious set which is being built by Reading’s Ken Norcross. With Phil Salvatoriello as stage manager, Linda Hoover (with help from Elizabeth McCrae) as musical director, and Full Moon Follies choreographer Claire Shillen helping the reserved, stubborn Iowans break loose in dance, the cast has its work cut out.
Mark your calendars. If you are interested in helping backstage (e.g. stage hands, costumes, makeup, hair) please call Max at 457-1010.